- The state of the air war over Ukraine, four years on...
- The Rise of American Bushido
- Meta, belatedly and ineffectively, gets worried about creepers using its pervert glasses.
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Books. Bikes. Boomsticks.
“I only regret that I have but one face to palm for my country.”
But walking around the retail district near the Hotel Carmichael that night, something felt too poised, too polished, too perfect. Every surface considered, every business in its right place. Real places have friction — a hardware store next to a wine bar next to a laundromat. Buildings from different eras that don’t quite agree, businesses that are there because someone needed them rather than because they completed a vision.You should RTWT.
A couple years later Margaret and I visited Epcot, as our son was proposing to his girlfriend there. Walking around, I recognized exactly what Carmel had been doing. Epcot is a controlled environment engineered to deliver the sensation of place without the inconvenience of actual place. Themed zones connected by optimized infrastructure, every experience crafted, nothing unplanned, nothing that jars.
I am not the only one thinking about the upsides of inconvenience, it seems; there is even a term, frictionmaxxing, to describe the trend of people resisting the lulling ease of screens. On a Saturday morning when I do not have to help a friend move, I am in bed scrolling Instagram. One video features what appears to be an elder millennial saying that he wants the nineties back. He wants a VCR. He wants old-school arcade machines that you have to feed with quarters. He wants a Walkman and cassette tapes to put in said Walkman.When you're in front of the arcade game, you are playing that game, when listening to the Walkman, you're listening to that album. When you're reading a dead tree book, you're reading that book. When you're photographing with a camera instead of a cell phone, that's all you're doing: taking pictures.
While bigger cameras like my old hand-me-down Coolpix 990 from Oleg or the newer Shower Pot SX500 have been supplanted by the DSLR for when I am Going Someplace To Take Pictures, and the really quite decent camera in the Galaxy SII suffices for I'm Someplace And, Hey!, There's A Picture!, there's still a niche for something to slip into a jacket or shirt pocket for I'm Going Someplace Where I Might Take Pictures But Maybe Not.Therefore it was interesting to me to see someone else writing about reasoning their way through the same thought process.
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| A Sony NEX-3 next to an Olympus PEN E-P5, both slightly too big for the document pocket in my gun burkha. |
Needless to say, I support Anthropic here. I’m a sensible moderate on the killbot issue (we’ll probably get them eventually, and I doubt they’ll make things much worse compared to AI “only” having unfettered access to every Internet-enabled computer in the world). But AI-enabled mass surveillance of US citizens seems like the sort of thing we should at least have a chance to think over, rather than demanding it from the get-go.
Here's a secret tip for making better photographs—look for great light.That's something of which I've always been dimly aware. but phrasing it like that really threw a switch in my head, almost like turning on a light, if you will...
You gotta get used to looking at light rather than at the thingy-ness of the world. It's not those things you're photographing—it's those things in that light. Light is ever-changing, and the same thing or scene will look completely different in different light. Great light helps make great photographs.
The internet didn’t invent thought contagion. It merely accelerated it. What used to take decades of cultural transmission can now happen in hours. A tweet, a TikTok, a video clip, a slogan. These are the new vectors of cultural evolution.Guarding against memetic infection can be tricky and nobody's 100% successful, similar to the way everyone says "Oh, I'd never fall victim to that particular internet scam" and then goes and falls for a different one. Stay vigilant and double check your work frequently.
Algorithms act as artificial selectors. Twitter doesn’t reward nuanced discussion. It rewards engagement. Instagram etc doesn’t surface the most accurate take. It surfaces the one most likely to generate a reaction. This creates a selection pressure on ideas: evolve to provoke, or die.
Memes that succeed online are those that survive this ruthless environment. They’re short, emotionally resonant, and easily shareable. They often include moral judgment or identity cues. They come with built-in calls to action: Retweet. Cancel. Like. Condemn.