Back before the days of RC drones and tiny high-res video cameras, this was the solution to get aerial photos up to two hundred feet from the ground.
Dangling from the bottom of the mini blimp was a film camera on a tilt-and-pan gimbal mount with a small CCTV camera affixed to the eyepiece and a servo to trip the shutter. A cable trailed from the blimp to the control console hung 'round the operator's neck on a padded yoke. The control panel had joysticks, a small black and white screen, and a shutter button.
Here's 24 year old me with my boss's Pentax in my hands and my own Canon AE-1P over my shoulder, with a press pass doing photography at the 1992 First Union Grand Prix in Atlanta, watching some rookie cyclist named Lance Armstrong win his first big race.


